mauxlog

” We need to start again. We need to stop saying how wonderful things are. We need to openly, truthfully and respectfully admit that the internet itself, in almost all of what’s been done with it, is shit.”

internet is shit

I am not on myspace anymore….after one year I had nausea of it.
I am not on facebook either.
some friends said…don’t shoot on your own foot…true…sometime I do….
I started to hate all this networking web stuff….and the ideology that is behind of it….
to create a copy-paste humanity.
this is a very interesting (long) article that gives actually good reasons to my feelings.

facebook…with friends like this…(from The Guardian)

“So by his own admission, Thiel is trying to destroy the real world, which he also calls “nature”, and install a virtual world in its place, and it is in this context that we must view the rise of Facebook. Facebook is a deliberate experiment in global manipulation, and Thiel is a bright young thing in the neoconservative pantheon, with a penchant for far-out techno-utopian fantasies. Not someone I want to help get any richer.” Tom Hodgkinson on The Guardian

this is an interview with revolve magazine - summer issue 2k8

Does your name mean anything ?

mauxuam is a palindrome - a word from the language spoken on the planet Ummo where I lived for a few years.
Everybody is telepathic so they speak using words very difficult to pronounce and without meaning to make jokes and laugh at the sound of it.

tell us about your musical history.

I started to do music a long time ago. In 1989 I founded the Lost Legion Alien Collective which had many different releases throughout the 90s in europe and america. One of our creatures was Ohmega Tribe, an ambient trance project that released an album in 1995 for Silent records - a seminal ambient label from SF - as well as many tracks on compilations. Our live band was Technogod, kind of a industrial hiphop crossover. We did 3 albums and a few european tours as the supporting act for Meat Beat Manifesto, Young Gods and Consolidated. We split in 1997 and I continued for a few years as a producer in the italian music industry doing remixes, productions and soundtracks for adverts. I got so disgusted by that commercial filth that I dropped out, sold all my equipment and I went traveling without a fixed base for many years. I only started to write some music again 4 years ago as an hobby - this time as a professional amateur.

Your music has a really spacey and psychedelic flavour to it, what’s influenced its creation ?

do you think so ? I guess that my experiences with psychoactive substances has something to do with it…but also the reality show, the apocalypse approaching, the human ordeals, the weather, nature, the universal spirit, my demons, my lovers.
Music is out there, I grab it, channel it, mix it…usually at late night.
Very often the tunes are taking control and they start to evolve by themselves, they have their own life.

When it came to writing an entire album, how did you decide to approach it ?

I decided to re open, remix and deconstrukt my tunes with the intention to output a sound, fresh and coherent in time - in the now. My goal was to break through the parameters of the psychilldub scene, to explore new territories, take some risks, to surprise myself and to be curious again. I locked myself in somewhere desolate, most of the time without even internet and did a disciplined baba life for a few months. I let myself go mad with it.

Please tell us about a couple of your favourite tracks and why they are your favourite

my favourite tracks ever ?
Future days by Can (1972) - a seminal tune that has elements of much of the music nowadays.
Can’s music was truly psychedelic and experimental, endless tunes that you can drift away on.

Shakara by Fela Kuti - trances me out everytime, I can’t stay still, fu#*ing hell, I HAVE TO DANCE.

You also are a visual artist, do you work as a painter or only with moving electronic visuals, how long have you been doing this and what do your images try and convey ?

I am honestly very bad at painting and drawing.
I only play with software and I don’t really see myself as an artist but more as a navigator. I started to play with visuals during my 7 year break from music, it was refreshing to work on animations and graphics. my images are not trying to convey anything really, they are mainly abstract canvas where you can actually see and project many things.

a very intense documentary on palestine…it really struck me

occupation 101